贴上这个访谈的主要内容,拉尔夫选用的词都好难啊,直接听太有难度了。
Continuing BAFTA's run of Q&As with well-respected thespians, on Sunday 11th December the academy's London headquarters invited Ralph Fiennes to reflect on A Life in Pictures.
Open to BAFTA members and the public, a champagne reception precedes an hour and a half in the company of the great actor. Bounding on stage to enthusiastic applause, Fiennes gallantly kisses the hand of host Francine Stock, before being taken through his career in film.
The actor remembers being informed in his childhood spent peforming Shakespeare: "you have an ability". Attending art school as a teenager, Fiennes reveals it shook him up, opened his mind and shifted his perspective. Working on set designs, he soon released he wanted to be on the stage. He joined an amateur theatre group in Fulham, where playing the lead in Romeo and Juliet gave him the confidence to try out for RADA. When asked if he ever considered a career in film, he replied that the attitude always was "if you were lucky, the gods would ascend you to film".
After a season at Stratford, Fiennes landed his first on screen role in 1990, starring as T.E. Lawrence in television film A Dangerous Man: Lawrence After Arabia. Soon afterwards, he landed his debut film, Emily Brontë's Wuthering Heights, starring as Heathcliff opposte Julette Binoche's Cathy. Fiennes laughs as he recalls his only worry - the hair extensions he had to sport after his army buzz cut for Arabia.
Then came the film that would shoot him to stardom and award glory, that of Amon Göth in Schindler's List. After the audience endure one of his most chilling scenes, involving Amon's maid, Fiennes lightens the mood by recalling how he auditioned for director Steven Spielberg. Unbelievably, he met with Spielberg in Acton for an informal chat, with the actor recalling how keen the directing legend was to engage with him. Fiennes reflects on the role of Amon, saying how he couldn't simply see the Nazi officer as a monster. Watching accounts of Holocaust survivors who suffered at the hands of Amon, he conceded that while he was a terrible man, it didn't help if you have to get inside his head. Spielberg himself didn't want Fiennes to portray evil - he wanted the actor to show how Amon's work felt like a "pain in the arse". He then tells how Spielberg is a "thrilling, inventive and spontaneous" director.
Fiennes smiles as he recalls asking Spielberg for permission to audition for Robert Redford's Quiz Show, while he was still filming Schindler's List, but got annoyed as Fiennes lost his Amon weight to prepare for the role of Charles Van Doren.
When talking about his subsequent roles in The English Patient and The End of the Affair, Stock asks if he is attracted to caged, difficult characters. He says he finds them interesting, pointing out the "flinty, recessive" Count in Anthony Minghella's Patient. He also enjoys how people wrestle with Graham Greene, author of Affair, and his interest in God.