It came to me 3 1/2 years ago from [production company] Mr. Mudd, and then we got Black Label Media as a partner. When they saw my filmCafe de Floreat TIFF [in 2011], there was some sort of link betweenCafe de FloreandDemolition, and so they sent me the script and I said, "Wow, it is so rare to read a script with that kind of quality. When you turn the pages, you don’t know at all where it’s going, but you’re involved. You’re emotional." So I said, "Whoa, I want to direct this." It looks like it’s a meditation, a reflection on grief, but the film celebrates life, love.