先从软件技术software technology特性了解数字动画创作DigitalAnimation的“拟假”的可能性，再考虑如何在创作中发挥作用。
We should first consider the possibility ofsimulating pseudo by digital animation creation based on the characteristics ofsoftware technology, only then will we think about how to make it effective increative activities.
软件技术上实现了前面提到的视觉Visual上的“拟真”特性，从另一个角度看，自然也就同时具备了实现“拟假”的特性。
The software technology has realized thesimulating reality in visual mentioned above, which means that it alsopossessed the ability of simulating pseudo at the meantime.
在模型造型、贴图材质、角色动态设定、场景空间比例、摄像机的设定和运动、灯光设定等方面，都是运用数字进行模拟，因此在制作过程当中，每一个元素的设定和运作都不会受到客观世界的物理性的限制，尤其在摄像机的运动轨迹和速度上，充分体现数字三维动画技术的特点。这也是构成影片在叙述逻辑上“拟假”的制作技术基础。
We applied digital simulation in modeling,picture texture, dynamic role setting, proportion of the space setting,positioning and movement of the video camera, setting of the lights. Thus thesetting and movement of each single element would not be restricted by the physicalenvironment of the world during the production process, especially in themovement track and speed of the video camera, and fully shows the uniqueness of3d animation. This is also contributes to the technological production basementof simulating pseudo on logical narration in the films.

在三维动画造型制作工程中必须遵照造型艺术规律进行，因为最终的形象是呈现在银幕的平面上，所以，要依循美术造型的规律，造型的特征、外形乃至色彩要协调一致，因为其造型是在虚拟仿真环境在的“在线”，所以要强调体感、量感。因为造型是要运动的，所以要结构合理，解剖结构、运动结构、组织结构和空间结构等也要合理并合情。
We shoud obey the artistic laws ofduring the process of 3D animation. Hence the ultimate image would be put on the screen, there are artistic regulations to follow: the charasterics, apperances and colours shpuld coordinate with each other. Because the modeling is based on virtual simulation, we should highlight the amount of sense and somatosensary. Also, the modeling should be capable of moving, so there should be reasonable structures. The anatomic structure, movement structure, organization structure and space structure should be both plausible and sensable.

此贴夭折 等我找到新的字幕组什么的再来。