Adam 3月16号在Billboard上的报道
原文地址 http://www.billboard.com/articles/news/7262929/owl-city-adam-young-film-score-month
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Adam证实自己已经从环球唱片解约, 但他表示已经开始联系新的唱片公司, 并且正在开始构思下一张Owl City的专辑, 今年晚些的时候会考虑加入新的唱片公司, 而且未来的OC专辑很可能会融入原声带中的元素!
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文章中还提及原声带的创作, 和一些接下来几部原声带可能的主题, 包括包括查尔斯·林白飞跃大西洋、加利福尼亚淘金热、人类首次登顶珠峰、暗杀林肯
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部分原文翻译:
「转载请注明出处」
Owl City's Adam Young Is Creating a Film Score a Month For One Year
The time was right for such an ambitious project for Young, who parted ways with Republic Records after releasing Mobile Orchestra last July. “Part of the reason for this endeavor is to give me a little bit of space and distance from the pop music space,” he says. “I can switch gears and test my muscles in this instrumental world and I hope when I come back to pop music have all these new ideas.”
在去年7月发行了Mobile Orchestra后, Adam离开了环球唱片, 对他来说是时候开始这个充满志向的项目了。Adam说: “做出这次尝试的部分原因, 是我想留给自己一点空间, 和流行音乐保持一些距离。在这个纯音乐的世界里, 我能转换我所用的工具, 去尝试自己的力量, 我希望在回到流行乐坛时能用上这些全新的元素。”
Young has mapped out a list of possibilities for future scores including Charles Lindbergh’s transatlantic flight, the California Gold Rush, the first ascent of Mt. Everest and the assassination of Lincoln. “That one would be dark," he states. “One of the things I enjoy most is on a piece of paper writing one through 10 and making a draft of these main points of the story.”
Adam列出了未来几部原声带可能的主题。包括查尔斯·林白飞跃大西洋、加利福尼亚淘金热、人类首次登顶珠峰、暗杀林肯。“这可能有一些奇怪, ”Adam说, “我最喜欢的一件事就是在一张纸上做一些草稿, 写下这些故事的来龙去脉。”
His scores range from lushly orchestral to sparsely electronic, created by Young solely on computer from his home in Minnesota. “All the actual sounds are sample based,” he says. “I wish I could book a 100-piece orchestra in Los Angeles. It’s all tricks in the computer.”
他的配乐从繁华的交响乐变幻到稀疏的电子音乐, 全部来自于Adam家中的电脑里。“全部这些声音都是基于音色库的, ”他说, “我也想在洛杉矶约一个百组管弦乐队, 但其实这都是电脑中的把戏。”
Just as he taught himself how to make his electronic pop music, he learned how to score from listening to composers and “putting notes in the computer and experimenting.”
就像他自己教会自己做电子流行音乐一样, 他听着其他作曲家, 学会了怎样去配乐, “把音符输入电脑里, 然后试验”
Each 25-to-30 minute score, complete with individual cues, take around three weeks to complete. “That’s a lot faster for me than music with lyrics,” he says. “This is kind of a load off my shoulders to not worry about rhyming.”
每一部25到30分钟的原声带里, 有独立的故事情节, 花大概三周的时间来完成。“这比写有歌词的音乐快多了, ”他说, “不用担心歌词的韵脚, 让我卸下了很大的负担。”
Young stresses that Owl City may be dormant right now, but his alter ego will be back. “I’m definitely thinking ahead to a new Owl City album,” he says. Preliminary discussions with a few new potential label homes have taken place and will continue later in the year “when I decide what I want to do,” Young says, adding that he is also “debating doing my own thing.”
Adam强调说Owl City只是暂时冬眠了起来, 但我们的这个亲密的好友还会回来的。“我确定我正在构思一张新的Owl City专辑了, ”Adam说。和一些可能的唱片公司的商谈已经开始了, 今年晚些的时候, 当我定下我想做的事的时候, 这些商谈也会继续, Adam也会坚持做自己想做的事。
原文地址 http://www.billboard.com/articles/news/7262929/owl-city-adam-young-film-score-month
-
Adam证实自己已经从环球唱片解约, 但他表示已经开始联系新的唱片公司, 并且正在开始构思下一张Owl City的专辑, 今年晚些的时候会考虑加入新的唱片公司, 而且未来的OC专辑很可能会融入原声带中的元素!
-
文章中还提及原声带的创作, 和一些接下来几部原声带可能的主题, 包括包括查尔斯·林白飞跃大西洋、加利福尼亚淘金热、人类首次登顶珠峰、暗杀林肯
-
部分原文翻译:
「转载请注明出处」
Owl City's Adam Young Is Creating a Film Score a Month For One Year
The time was right for such an ambitious project for Young, who parted ways with Republic Records after releasing Mobile Orchestra last July. “Part of the reason for this endeavor is to give me a little bit of space and distance from the pop music space,” he says. “I can switch gears and test my muscles in this instrumental world and I hope when I come back to pop music have all these new ideas.”
在去年7月发行了Mobile Orchestra后, Adam离开了环球唱片, 对他来说是时候开始这个充满志向的项目了。Adam说: “做出这次尝试的部分原因, 是我想留给自己一点空间, 和流行音乐保持一些距离。在这个纯音乐的世界里, 我能转换我所用的工具, 去尝试自己的力量, 我希望在回到流行乐坛时能用上这些全新的元素。”
Young has mapped out a list of possibilities for future scores including Charles Lindbergh’s transatlantic flight, the California Gold Rush, the first ascent of Mt. Everest and the assassination of Lincoln. “That one would be dark," he states. “One of the things I enjoy most is on a piece of paper writing one through 10 and making a draft of these main points of the story.”
Adam列出了未来几部原声带可能的主题。包括查尔斯·林白飞跃大西洋、加利福尼亚淘金热、人类首次登顶珠峰、暗杀林肯。“这可能有一些奇怪, ”Adam说, “我最喜欢的一件事就是在一张纸上做一些草稿, 写下这些故事的来龙去脉。”
His scores range from lushly orchestral to sparsely electronic, created by Young solely on computer from his home in Minnesota. “All the actual sounds are sample based,” he says. “I wish I could book a 100-piece orchestra in Los Angeles. It’s all tricks in the computer.”
他的配乐从繁华的交响乐变幻到稀疏的电子音乐, 全部来自于Adam家中的电脑里。“全部这些声音都是基于音色库的, ”他说, “我也想在洛杉矶约一个百组管弦乐队, 但其实这都是电脑中的把戏。”
Just as he taught himself how to make his electronic pop music, he learned how to score from listening to composers and “putting notes in the computer and experimenting.”
就像他自己教会自己做电子流行音乐一样, 他听着其他作曲家, 学会了怎样去配乐, “把音符输入电脑里, 然后试验”
Each 25-to-30 minute score, complete with individual cues, take around three weeks to complete. “That’s a lot faster for me than music with lyrics,” he says. “This is kind of a load off my shoulders to not worry about rhyming.”
每一部25到30分钟的原声带里, 有独立的故事情节, 花大概三周的时间来完成。“这比写有歌词的音乐快多了, ”他说, “不用担心歌词的韵脚, 让我卸下了很大的负担。”
Young stresses that Owl City may be dormant right now, but his alter ego will be back. “I’m definitely thinking ahead to a new Owl City album,” he says. Preliminary discussions with a few new potential label homes have taken place and will continue later in the year “when I decide what I want to do,” Young says, adding that he is also “debating doing my own thing.”
Adam强调说Owl City只是暂时冬眠了起来, 但我们的这个亲密的好友还会回来的。“我确定我正在构思一张新的Owl City专辑了, ”Adam说。和一些可能的唱片公司的商谈已经开始了, 今年晚些的时候, 当我定下我想做的事的时候, 这些商谈也会继续, Adam也会坚持做自己想做的事。
