未完待续。

Uzbek kashgar rabab（乌兹别克斯坦的喀什热瓦普，待翻译）
The Kashgar rabab which is mainly used in West China (by the Uyghurs) has a factory-made relation in Uzbekistan. During the Soviet period many folk instruments were changed to a more Western style instrument (so they could be used to play "proper", written music), by adding fixed frets, and machine tuners. The instruments usually were made in different sizes, like primo, soprano, alto, tenor, etc.
The body of an Uzbek kashgar rabab is made from (8-10) separate strips glued together, with on the front a thick hide (probably fish skin), glued around the edge with a strip of black leather. The neck and peghead are carved from one piece of wood, with two "wings" carved on the lower end, and a small backward curve under the tuninghead.
The neck has a raised fretboard, with metal (copper) strips as frets. The peghead is slotted with guitar-style tuners, on both sides. The metal strings run over a large loose wooden bridge on the skin front, to separate pins on the edge of the body.
The instrument is not as much decorated as the rabab of the Uyghurs. It is varnished, with the neck in a lighter colour (typical for Uzbek instruments).
Tuning could be E bb e'e' : and of a primo : g d' a' e''.
The instrument is played with a plectrum.

kashgar rawap（热瓦普之乡 - 喀什热瓦普）
In South West China (called Xinjiang) - at the end of the Taklaman desert, near the Pamir mountains - live the people of the Uyghurs (related to the Turks). They have some special instruments, which can also be found (in slightly different shapes) at the other side of the mountains, in the Sovjet Union.
This rabab, which is called after the main town where it is found (Kashgar or Kashi), is a long-neck lute - unlike the afghan rabab, which is a short-neck lute. It is also known as Uyghur rawap (or rawapu or rawab or rewap or rawafu).
The body and the beginning of the neck is carved from one piece of mulberry wood, in a kind of half coconut shape, with two bended horn-like extensions at both sides at the beginning of the neck. The front is covered with a thick skin, often made of python skin. The long half round neck is joined by a V-join to the horns. The frets are tied-on nylon in 3-double windings in an almost chromatic scale. At the left side of the neck is a groove.
The pegbox is glued to the neck, and turns quite sharply backwards in a curve. There are 2 pegs on the right and 3 pegs on the left side of the open pegbox. The pegs are T-shape, but rounded. There are 5 metal strings, with only the first one fingered and a bit separate from the others which serve as drones and resonance strings. The strings run over a small loose wooden bridge on the skin to two pins at the end of the body. There is lots of inlay decoration of black and white horn in fishbone, triangles, stripes, etc. Also the back of the body has inlayed lines.
Playing is with a plectrum, and mainly a kinds of "riffs" to accompany singing. The sound is extremely echoing due to the resonance strings via the skin. The left hand is held quite low under the body, similar to playing the tar.
In Uzbekistan (in towns like Buchara or Tashkent) this kashgar rabab is also used. Here they are factory made, and the frets are inlayed metal, like on a guitar. It is often used to play classical maqam music on it. See Uzbekistan.

主要介绍的两种，塔吉克热瓦普和多朗热瓦普在此不作介绍。

楼主会弹奏吗，我有乐器，但只看简略的视频教程学不会，尤其是弹奏手法